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nature in wuthering heights essay

Nature In Wuthering Heights Essay

Huckleberry finn conflict between nature.

As he steps off of the plane and back to safety, he finally realises something is off. In the few years he had been stuck on that island, it seems as if everything has evolved. He will have to change to fit the new society. In The Adventures of Huckleberry Finn by Mark Twain, there is a surprisingly basic conflict underlying this whole book. That conflict is between nature and civilization. Everyone in this book, most importantly Huckleberry, struggles and adapts to nature, whether it 's before, during or after Huck’s capture by his father.

After Nature: A Literary Analysis

An appreciation for nature is instilled within a human being during their beginning years of life. Older generations teach younger generations what they have learned from their experiences in nature as a child despite the constant, ever-changing of the environment. Ever since the mid-twentieth century, the climate has been changing in ways that has the potential to one day threaten the lives of billions. Authors, such as Richard Louv, Jedediah Purdy, and Kalle Lasn, work to emphasize the downward fall that is occurring in society. Along with their opinions, my Mother also gave her input about the world today from a different point of view. She was born in Chandler’s Ford, United Kingdom in 1964 when climate change was beginning to be recognized.

Jane Eyre Discussion Questions

1. Review the details Brontë provides about the weather in the opening chapter of the novel. How does this establish the mood of the story when it begins?

Wuthering Heights Free Response Questions

Heathcliff was an orphan who was brought to live at Wuthering Heights by Mr. Earnshaw. Since he was from wild nature, he had a temper so Linton and Heathcliff often had quarrels. However, his extraordinary powers of will to acquire Wuthering Heights turned him into evil, he used that position to revenge Linton.

Nature In One Flew Over The Cuckoo's Nest

Nature is commonly defined as the outdoors, what separates the manmade structures from the wilderness. However, after a quick search, more intriguing definitions appeared like “humankind’s original or natural condition” (Merriam-Webster) and “reality, as distinguished from any effect of art” ( While these definitions don’t fit the conventional definition of nature, they introduce a concept of purity and reality apart from clouded confusion that life can bring. Chief Bromden in One Flew Over the Cuckoo’s Nest certainly experiences a rift from nature during his stay in the mental ward through the fog early on in the story. However, a reconnection with both definitions of nature, through McMurphy and the fishing trip, bring him back to reality and help him realize that he could break from his

Emotional And Character Development In Bronte's Jane Eyre

The novel opens with a vivid description of the setting at Gateshead, which epitomises the first stage of the protagonist’s Jane Eyre’s life journey and her childhood development. The passage declares that ‘the cold winter wind had brought with it clouds so sombre and a rain so penetrating’ (Bronte, Jane Eyre, [1847] 2000, 1.1, all subsequent page

Mental Illnesses In Emily Brontë's Wuthering Heights

While mankind has made substantial progress in ridding the world of diseases, mental illnesses are still prominent, and often overlooked. In the novel Wuthering Heights, Emily Brontë highlights illnesses caused by tensions in order to construct a world where mental health problems and internal struggles take on a life of their own. In the case of Catherine Earnshaw Linton and Heathcliff Earnshaw, the body follows the mind 's descent into distress, with mental illness inflating strenuous circumstances.

Oppression In Jane Eyre Essay

During the Victorian era, the ideal woman’s life revolved around the domestic sphere of her family and the home. Middle class women were brought up to “be pure and innocent, tender and sexually undemanding, submissive and obedient” to fit the glorified “Angel in the House”, the Madonna-image of the time (Lundén et al, 147). Normally, girls were educated to be on display as ornaments. Women were not expected to express opinions of their own outside a very limited range of subjects, and certainly not be on a quest for own identity and aim to become independent such as the protagonist in Charlotte Brontë’s Jane Eyre. Jane Eyre was independent passionate woman who tried to against men who repressed woman from being educated and getting own human

Syntax In Owls By Mary Oliver

Nature is a place filled with livelihood, imagination, and diversity. It is praised for its beauty and mystifying inhabitants. In “Owls”, Mary Oliver is fascinated by the alluring aspects of the landscapes surrounding her; yet, she also seems to be frightened due to nature’s predators and dangers. These perplexing emotions are evident throughout the passage as Oliver describes her encounters with owls and flowerbeds. Through a variety of syntax and amusing paradoxes, Oliver is able to successfully convey her puzzling feelings towards nature.

Dichotomy In Frankenstein

Dichotomy is a very important characteristic in literature. Dichotomy is able to emphasize the contrast and add many deep layers to a story. In Emily Brontë’s Gothic Novel Wuthering Heights, Heathcliff’s embodies many contrasting philosophical components. Heathcliff personifies the role of a savage and a cultured gentleman. Heathcliff is also able to play the role of the victim and victimizer.

Nature In Lord Of The Flies Persuasive Essay

Even in the dire circumstances, some people still have honer and can control theyself follow the rules. In the Lord of the Flies writed by William Golding, state a group of children escaping from the plane and get on a island. They are far from the society , and they don’t have food and adult with them. With the story develop, some children became savage, evil and disorderly. But there is still a few children can follow the rules and do the right things. They keep the fire burning and make smoke try to be rescued by ships, they use conch to make sure everyone have right to speak, and they make rules to make sure everything organized. In the dire circumstances they didn’t follow others became savage, they follow

Jane Eyre Vs Bleak House Essay

In Brontë’s novel, dreams and uncanny doubles reflect Jane’s frustration with her imprisonment as well as her subconscious feminist desires. Dickens, by applying traditional Gothic concepts to both modern and domestic settings, paints a scathing picture of the disorder, hypocrisy, and indifference of Victorian England. These works acknowledge that very real threats exist within seemingly secure settings, and use Gothic elements to both reinforce and challenge the validity of the moral attitudes and behaviors illustrated within them. It is ultimately suggested that a balance between emotion and logic is necessary to gain the most accurate version of the truth,

Isolation In Jane Eyre

Bronte 's Jane Eyre transcends the genres of literature to depict the emotional and character development of its protagonist. Although no overall genre dominates the novel exclusively, the vivid use of setting contributes towards the portrayal of Bronte’s bildungsroman (Realisms, 92) and defines the protagonist’s struggles as she grapples with her inner-self, and the social expectations of her gender.

Class Struggle In Emily Bronte's Wuthering Heights

The intense conflicts which are characteristics of its artistic structure are create in the terms of social conflicts. The roots and causes of these conflicts are in the pressures of the society with which the novel was published. Wuthering Heights was published two times in 1837 and 1848, times of great change due to the Industrial Revolution. Thus, it reflects in some way the class struggle. Heathcliff did create a classless society, he made everyone his servants. An example is as what he did to Cathy; “That lass Cathy owes me her service for her bread; I’m not going to nurture her in luxury and idleness after Linton is gone”

Theme Of Sickness And Death In Wuthering Heights

Emily Brontë approaches the idea of sickness and death of the characters in her novel Wuthering Heights in a peculiar way. The characters that are ill are usually mentally ill, and their deaths often result from physical ailments derived from mental illness. The drive for revenge and desire for love that reigns among the characters often lands them in stressful situations that cause them to spiral downward into these mental illnesses. Emily Brontë’s emphasis on the motif of sickness and death in Wuthering Height deepens the drama of the plot and constructs more complicated relationships between the characters.

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Nature and Culture in Wuthering Heights

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In Wuthering Heights there is a clear battle between human nature, and the attempt to control it with civilization and culture. The conflict between nature and culture which is a part of the thematic structure of this novel is presented in the relationship between two residences: Wuthering Heights and Thrushcross Grange as well as its inhabitants. Wuthering Heights represents the wildness of nature, passion and life, where as Thrushcross Grange stands for a refined way of life, civility and culture.

Wild, dark and mysterious appearance of Wuthering Heights is a symbolic of its inhabitants.

Heathcliff a distinct member of Earnshaw family symbolizes the wild and natural forces which frequently appear to be amoral and dangerous for society. And Catherine a representative member of Earnshaw family may be a lovely charming girl, however is rarely as civilized as she pretends to be. In her heart she is always that wild girl playing in moors with Heathcliff. On the other hand Thrushcross’s positive and comforting appearance is a symbolic of its inhabitants who grew in a pleasant way of living.


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The Linton family in contrast to the Earnshaw , are too cultured and refined.Edgar Linton in contrast to Heathcliff is an educated, refined, noble man.

In the novel the setting and weather reflect the mood of the characters and their actions.The environment in which they live is another way to understand the conflict between nature and culture in this novel.

Wuthering Heights first appears in a stormy ,coldness and dark scene.

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The Heights have wild, windy moors, and its inhabitants possess the same characteristics. Opposite to this is often the calm, orderly parks of the Grange and its refined inhabitants.Thrushcross Grange is located in the valley with none of the features that appear in Wuthering Heights.The characters at the Heights are more at home outside in the moors, while those at the Grange pass the time with quiet, solitary endeavors such as reading.

Wuthering Heights is linked to aggression and violence both through the stormy weather as well as its inhabitants. Where as Thrushcross embodies comfort and civilization protected against the violence and stormy moors.

In this novel Emelie Bronte points out the problems with both wild and egocentric ways which might be natural to human kind, and the extremely secured ways of the elite class of the Victorian world. It is this exciting and thought-provoking theme that sets this novel aside from many other Gothic novels of its time.

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Nature and Culture in Wuthering Heights

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Wuthering Heights Emily Bronte

Wuthering Heights essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Wuthering Heights by Emily Bronte.

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Wuthering Heights Essays

Halberstam among the victorians: applying 'female masculinity' to 'wuthering heights' and 'vanity fair' molly mcatee college, wuthering heights.

Can masculinity be applied to genders other than male? This is a question posed and answered in Judith Jack Halberstam’s Female Masculinity , published in 1998. In this book, Halberstam discusses the appearance and characteristics that are applied...

Wuthering Hareton Jessica Fatzinger 12th Grade

In Wuthering Heights by Emily Brontë, the characters around Hareton treat him like a background character, even though he is a main character in the book. From his family to people he just met, everyone pushes Hareton around, making him mold to...

Wuthering Heights: The Complexity of Existence and the Limitation of Human Perception Sid Ali Kercenna College

Published in 1847 under the pseudonym of Ellis Bell, Emily Bronte’s only finished novel is a unique work when it comes to the way, in which, it deals with the complexity of the human soul and treats the mysteries of its psychology. This book...

Captivity: Societal vs. Physical for Cathy (Wuthering Heights) and for Mary Rowlandson Molly McAtee College

How does one define captivity? Is it the physical restraint of a person through threats and violence? Could one be captive of their society due to the roles and expectations assigned to them? Both of these questions pose possibilities when it...

Dream World and Real World in Wuthering Heights Emma Kirkwood College

In her novel Wuthering Heights , Emily Brontë interconnects the real world with the dream world, in a sense merging allegory with realism. This essay will explore how the dreams that Brontë’s characters experience give more meaning to the real...

The Conflict in Wuthering Heights Anonymous College

Bringing great controversy with it when it was published in 1847, Wuthering Heights achieved considerable success by rendering many masked, unresolved issues of the time novel was written apparent. The storyline revolves around the narration of...

Heathcliff's Obsessions Olivia L.H. Garnett

Throughout Wuthering Heights, Heathcliff's personality could be defined as dark, menacing, and brooding. He is a dangerous character, with rapidly changing moods, capable of deep-seeded hatred, and incapable, it seems, of any kind of forgiveness...

The Setting in Wuthering Heights Ryan Frishberg

Wuthering Heights is a timeless classic in which Emily Brontë presents two opposite settings. Wuthering Heights and its occupants are wild, passionate, and strong while Thrushcross Grange and its inhabitants are calm and refined, and these two...

Mirrors, Windows, and Glass in Wuthering Heights Robert Klein

Various glass objects, usually mirrors and windows, play a seemingly ubiquitous role in the construction of Emily Bronte's Wuthering Heights; rarely does a chapter go by where the reader is not given some description of a character passing by a...

The Problem of Split Personalities in Wuthering Heights Emily Flynn

Note: Oxford University Press Version of Wuthering Heights used for this paper

In Bronte's novel, Wuthering Heights, a person has the capacity to attain happiness only if his external state of being is a true and accurate manifestation of his...

The Main Characters in Wuthering Heights and Their Resemblance To Children Garrison Cross Woodfield

Life would be strangely different if no person matured past the state of childhood: if one possessed the physical qualities of an adult, but the faculties of only a juvenile. The environment would most definitely be a harsher, more difficult one....

A Clash between Nature and Culture Melissa Bradley

Wuthering Heights is essentially a romantic novel in which the author, Emily Bronte, brings two groups of people with different backgrounds into contact with each other. Close analysis of the novel reveals a key theme. When the reader examines the...

Heathcliff as a Reflection of the Age in Bronte's Wuthering Heights Shira Traison

Emily Bronte's Wuthering Heights is a perfect parallel to the time in which it was composed. Heathcliff, her protagonist turned antagonist, was brought into a world in which he did not belong, in both a social and economic sense. As he joined the...

The Three Faces of Wuthering Heights Anonymous

In Wuthering Heights, Bronte depicts the turbulence of the psyche through her characters. Heathcliff, Edgar and Catherine are portrayed not as three distinct personas, but instead as three parts of a single psyche. Heathcliff, Edgar and Catherine...

Reconceptualizing the Plight of Isabella Chloe Mead

Readers of Emily Brontë's Wuthering Heights and Maryse Conde's Windward Heights can easily become overwhelmed by the deluge of voices that permeate each of the respective novels. After sorting through the complicated filtering of narratives in...

Wuthering Heights: A Tale of Two Loves Bryce Goodman

In Emily Bronte's Wuthering Heights, Catherine redeems her mother's inability to love another tenderly with her love towards Linton. Catherine's lovingness is not one of intense self-consuming passion where the object of love is over-looked and...

Lovengeance Spencer James

Emily Bronte, in her novel Wuthering Heights, characterizes the protagonist Heathcliff as both a recipient and a perpetrator of the continually domineering forces of both love and revenge existing within the novel. Through complex...

Charlotte's Error: Isolationism in Wuthering Heights Jordan Reid Berkow

Charlotte Bronte's greatest error in her preface to Wuthering Heights is her striking underestimation of Emily Bronte's understanding of the world and human nature. Charlotte writes that her sister had little knowledge of the practicalities of the...

Bronte's Influence on Readers' Attitudes Towards Heathcliff in Wuthering Heights Stephanie Nicole Bonham

In Emily Bronte's famous novel Wuthering Heights , Heathcliff is indisputably an evil character. He commits innumerable atrocious acts, yet Bronte ensures that one cannot help but feel sympathy towards him. One reason that the book is considered a...

The New Gnosticism: Reading Romantics in Wuthering Heights Anonymous

The New Gnosticism:

Reading Romantics in Wuthering Heights

Like the romantic poets who so influenced her, Emily Bronte explores the redefining of religious categories in her most famous novel, Wuthering Heights. Through the relations between her...

A Victim of His Environment Liz Zak

In Wuthering Heights, author Emily Bronte depicts Heathcliff, one of the main characters, as an incarnation of evil. Heathcliff is first introduced in the novel as the unpleasant, unwelcoming landowner of Wuthering Heights, and from this first...

The Beggarly Interloper and The Bright, Graceful Damsel Meghann E. Stubel

"Heathcliff was hard to discover, at first . . . that naughty swearing boy" (Wuthering Heights pp.51-3).

From his arrival, nearly all the inhabitants of Wuthering Heights treat young Heathcliff disdainfully and as "the other" who has intruded into...

Allusions: Parallels to the Garden of Eden in Wuthering Heights Scott Christopher Graham

“Out of the ground the Lord God made to grow every tree that is pleasant to the sight and good for food, the tree of life also in the midst of the garden, and the tree of knowledge of good and evil,” Genesis reads (Gen 2.9). In the Genesis story...

Breaking Down the Wall: Catherine and Hareton’s Discovery of Love Britani Hollis

In Wuthering Heights, Emily Brontë develops a conflict between Catherine Linton and Hareton Earnshaw and uses the resolution of their conflict to resolve that between Catherine and Heathcliff. Though their social classes and upbringings differ,...

nature in wuthering heights essay


Essay on Imagery of nature in Wuthering Heights

How Does Wuthering Heights Change Throughout The Novel

First, in the novel Wuthering Heights, the character Heathcliff reflects the house Wuthering Heights. The first way Heathcliff’s attributes mirror the features of Wuthering Heights is Heathcliff’s incessant aggressive, bad mood. Wuthering Heights, when seen in the novel, always seems to be having turbulent weather. Heathcliff’s aggression directly compares to the aggression of the weather there. The second way Heathcliff and Wuthering Heights relate is their resemblance of physical traits. Heathcliff over time does not age very well. Similarly, the house is not kept up, is always a mess throughout the book, and is described as rustic looking by Nelly, “The apartment and furniture would have been nothing extraordinary as belonging to a homely, northern farmer with a stubborn countenance” (Brontë 3). The third way that Heathcliff and Wuthering Heights are alike is their low level in society, so to speak.

How Does Bronte Use Weather In Wuthering Heights

When Heathcliff ran off, Bronte describes that evening as “a very dark evening for summer: the clouds appear[ing] inclined to thunder” (Bronte, 84). The impending thunderstorm introduces that chaos that is about to ensue when Heathcliff cannot be found that evening. The storm finally arrives and all hell is about to break loose. The “violent wind, as well as thunder,…split a tree off” of a building just as Catherine was getting more and more anxious about her split from Heathcliff (Bronte, 85). The symbolism that weather represents in Wuthering Heights carries on throughout the first volume of the

Theme Of Love In Wuthering Heights

Wuthering Heights is structured around two parallel love stories in which motions verge between passionate love and hatred. Heathcliff and Cathy’s passion centre the novel, this passion condemns as immoral by Nelly (a servant girl who grew up along-side the Earnshaw’s) and also a Victorian reader, but could be interpreted as a love that transcends social boundaries and idealises them as a romantic hero and heroine. This is clear that Heathcliff expresses these passionate emotions as he sobs uncontrollably ‘Cathy, do come. Oh do – once more! Oh! My heart’s darling, hear me this time – Catherine, at last!’. Through the use of exclamation, we see that Heathcliff pines for his lover to come back to life and greet herself with him just once more, by using exclamatory we sense this desperation emphasising his true passionate love for Catherine and the emotions that built up their relationship; he has become broken without++ her. This closely links to the concept Shakespeare talks of in ‘Sonnet 116’ in which he says ‘But bears it out even to the edge of doom’. This

2. “Wuthering” is descriptive of the atmospheric tumult of the novel in that it describes the violent winds that blow during storms on the moors. Wuthering Heights is removed from society. The adjective not only describes the setting itself, but the inhabitants as well, who are fierce, strong, and fervent.

Nature Vs Nurture Wuthering Heights

It had, “.... a few stunted firs at the end of the house….” and, “the corners defended with large jutting stones” (Brontë 4). The ruins of Wuthering Heights made the household seem less noble and respected. A ruined home and structure compared them to the winsome Thrushcross Grange. The differences of the houses amplified the difference in class, stature, and ways of life. The ruins of Wuthering Heights made those living there have a different mindset and look as if they couldn’t reach the Thrushcross standards. Also, those who lived at Wuthering Heights had a much different attitude, this because Wuthering Heights nurtures those into whom they become. For instance, Catherine, after leaving Wuthering Heights came back Nelly describes her as, “ a very dignified person….” as opposed to, “a wild, hatless little savage” (Brontё 52). Her time at the ruined Wuthering Heights made her into a ruined and hateful girl herself. If Wuthering Heights resembled that of Thrushcross Grange then there would not be a shift in Catherine’s or anyone's character. In fact, the novel wouldn’t have a difference between the two settings, making both households equal.

Setting Analysis and Symbolism of Wuthering Heights by Emily Bronte

The manor Wuthering Heights is described as dark and demonic. In the English moors, winter lasted three times as long as summer and the Heights and the land adjacent to it can be compared to winter, while Thrushcross Grange can be described as the summer. Bronte describes the Heights as a

The Power of Love in Wuthering Heights Essay

Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a

Amanda Aurigemma. Gill 5Th Hour. Ap Literature. 24 February

The metaphors drawn from nature in Wuthering Heights drive the plot primarily through characterization. Rarely does the story venture outside, containing almost exclusively scenes leading up to a character’s departure and the response to his/her journey. The absence of tangible nature in a book so driven by its symbolism seems peculiar at first. Why does the author not provide the reader any detail of Heathcliff’s struggle against the storm after he departs in heartbreak? By narrating the storm in terms of how it is observed from inside, the reader loses the expected description of the storm’s intensity. Even Catherine’s diary, the most

Theme Of Manipulation In Wuthering Heights

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

RainyDay Relationships Use of Weather in Wuthering Heights Essay

In fact, the first incidence of a reference being made to the weather occurs with a thought of Mr. Lockwood. “Wuthering being a significant provincial adjective,” he says, “descriptive of the atmospheric tumult to which its station is exposed in stormy weather” (46). Because Wuthering Heights has been built on the moors, wind

How Does Heathcliff Change Throughout The Novel

In this chapter, we see that Catherine has changed drastically from being a wild savage to a young mannered lady. Shockingly, we can see the distinctive difference between Heathcliff and Catherine's character. They were once the same, but this chapter serves as the platform to highlight the contrasting differences between these lovers. On one hand, one can argue that it develops their relationship immensely.

Good vs. Evil in Wuthering Heights

Wuthering Heights is depicted as a cold, threatening, and dark manor, situated on a "bleak hilltop." In the novel, "wuthering" is the local adjective to describe the "atmospheric tumult" present in the region. The rugged manor, Wuthering Heights, represents a "storm", characterized by the wild emotions and harsh behaviors of the inhabitants. The depressing atmosphere causes people to "shiver through every limb" at the "sorrowful sight" of the Heights. In deep contrast, Thrushcross Grange is described as a "splendid place" of elegance and comfort. The peaceful dwelling of the Grange represents higher values and morals, and is considered the "calm" residence of the novel. The author creatively reveals the theme of good versus evil, or the calm versus the storm, through the pronounced symbolic differences in the houses.

Comparison of Wuthering Heights Book and Film

The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.

Importance of Setting in Emily Bronte's Wuthering Heights Essay

Love is a strong attachment between two lovers and revenge is a strong conflict between two rivals. In the novel Wuthering Heights, Emily Bronte uses setting to establish contrast, to intensify conflict, and to develop character. The people and events of Wuthering Heights share a dramatic conflict. Thus, Bronte focuses on the evil eye of Heathcliff's obsessive and perpetual love with Catherine, and his enduring revenge to those who forced him and Catherine apart. The author expresses the conflict of Wuthering Heights with great intensity. Hence, she portrays a combination of crucial issues of romance and money, hate and power, and lastly

Literary Analysis Of Wuthering Heights

“My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff!” (Brontë, 82)

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Character Development with Nature in Emily Bronte’s Wuthering Heights Analytical Essay

Character Development with Nature in Emily Bronte’s Wuthering Heights Analytical Essay essay

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Nature plays an important role in Emily Bronte’s Wuthering Heights. The novel is set in the moors which is wild and open land in the highlands that can be a dangerous place to those unfamiliar with the area. In Bronte’s novel, there are often parallels between nature and the novel’s characters and plot. The dark landscape also adds to the brooding tone of Wuthering Heights. In different ways nature assists many of the characters’ development.

Heathcliff’s home is named Wuthering Heights. The word “wuthering” is “a word used to characterize an area where the wind blows so strongly that it makes a terrifying roaring sound.” (Urban Dictionary) The imagery contained in this description of wuthering targets the fierce weather and justly shows the atmosphere inside the house as well. Heathcliff and Catherine’s rough relationship can easily be compared to the weather at the heights. Another example of the tumultuous weather is when Lockwood visits Heathcliff during a snowstorm, Heathcliff is surprised.

nature in wuthering heights essay

“I wonder you should select the thick of a snow-storm to ramble about in. Do you know that you run a risk of being lost in the marshes?” (14) Heathcliff asks. “People familiar with these moors often miss their road on such evenings; and I can tell you there is no chance of a change at present.” (14) The moors and weather have an effect on all of the characters’ lives. For example, Catherine becomes feverish after walking in the storm and the older Mr. and Mrs. Linton die after being exposed to the same storm. Even the dead are affected by the storms as the author describes how the graves are covered with snow.

“The extreme winds prevalent at the Heights symbolize the hardness of the inhabitants. At Thrushcross Grange, things are much more delicate and mild, like its initial inhabitants, the Lintons. Wind and rain are present when Mr. Earnshaw dies, when Heathcliff departs from Wuthering Heights, and when Heathcliff dies.” (Wuthering Heights Symbolism) Seasons go in cycles, spring and summer are pleasant for the inhabitants of Heights, winter and autumn are unfriendly and often bring death.

The novel is a mixture of passion, mystery and doomed love. One of the most interesting elements of it is nature which, in the book, is almost as important as any character. Occasionally in the novel nature almost seems as if it takes control over the plot. However, most of the time it is more like a background that gives special atmosphere to the events. Nature is often compared to Catherine and Heathcliff. “In every cloud, in every tree, filling the air at night, and caught by glimpses in every object by day, I am surrounded with her image!” (342) Nature has very often been compared to passion. That is why we see so much of it in Wuthering Heights. Catherine associates Linton with nature and saying, “My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees.” (101) Then she associates Heathcliff with nature by saying

“My love for Heathcliff resembles the eternal rocks beneath a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being. So, don’t talk of our separation again: it is impracticable.” (101)

Nature is not only present at Wuthering Heights, but it is a part of every human being in the story. Cathy and Heathcliff are usually associated with images of wilderness, while the Lintons are associated with pictures of cultivated land. Cathy compares Heathcliff to the arid wilderness of the moors, while Nelly describes the Lintons as honeysuckles, cultivated and delicate. When Heathcliff speaks about Edgar’s love for Cathy, he says, “He might as well plant an oak in a flowerpot and expect it to thrive, as imagine he can restore her to vigor in the soil of his shallow cares!” (236)

By putting nature against civilization, Emily Brontë promotes the idea that the awe-inspiring and sometimes frightening aspect of nature is superior to man-made culture. She does this by associating many of the characters with one side or the other and then making them rivals. Heathcliff, whose origins are unknown and who often roams the moors, is definitely on the nature side, but his rival, Edgar Linton, is on the civilized side. Other pairings include Hareton Earnshaw vs. Linton Earnshaw; Catherine vs. Isabella; and Hareton vs. Cathy. In all of these cases, Brontë makes one character a bit wild (by showing them in tune with animals, the outdoors and their emotions), while portraying the other as somewhat reserved and often snobby or fussy. But nothing is black and white in Wuthering Heights.

Many of the characters exhibit traits from both sides. While Brontë argues that nature is somehow purer, she also supports parts civilization, particularly education. Hareton Earnshaw represents this combination of nature and civilization. Brontë compares the young orphan to nature (he is an awkward farm boy) as well as civilization (he learns to read in hopes that young Cathy would love him). The novel’s natural elements are the perfect complement to the main characters in Wuthering Heights. As the novel opens Lockwood fears walking through the moors at night. Catherine and Heathcliff spend much of their childhood rambling on the moors, symbolizing their wild inclinations. Both Catherine and Heathcliff are buried on the moors, because of their fondness for them and their fondness for the wildness they represent.

There are other similarities between the main characters and nature. Heathcliff, like the rough landscape of the novel is often violent and cruel. Catherine has unpredictable moods, much like the weather on the moors. The beautiful landscape of the novel is often very dangerous, as housekeeper Nelly Dean explains. She warns young Cathy Linton about Penistone Crags. “You could not climb them; they are too high and steep. In winter the frost is always there before it comes to us; and deep into summer I have found snow under that black hollow on the north-east side!” (186) The marshes are dangerous, as well. Heathcliff imprisons Nelly Dean and Cathy Linton inside Wuthering Heights, during Nelly’s absence, rumors begin to circulate in the village regarding her disappearance, and many believed that Nelly had drowned in the Blackhorse marsh.

Seasons and storms, and windy weather are not dependent on the plot; they live their own life and create the setting of the book. The frequent storms and wind that sweep through Wuthering Heights are a symbol of how the characters are at the mercy of forces they cannot control. For example, Lockwood, the city boy, thinks he can walk back to Thrushcross Grange through a storm, but the nature-respecting folks at Wuthering Heights tell him he’s crazy. They know that the weather is far stronger than he is. Brontë uses the weather as a metaphor for nature, which she paints as an amazingly strong force that can conquer any character. The strongest and wisest characters are those who give the weather the respect it dictates.

It is very interesting to see how Bronte uses nature to develop her characters and how she manages to engrave nature into almost every aspect of her novel. She took a unique approach on character development and used it to write one of the best novels of all time.

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A+ Essay: The Relationship between Love & Revenge in Wuthering Heights

Love preoccupies nearly all of the characters in Wuthering Heights . The quest for it motivates their actions and controls the development of the plot. Heathcliff, the character at the heart of the novel, is the most impassioned lover. But if love drives him, the desire for revenge drives him equally. Almost from the start, outrage at his mistreatment at Catherine’s hands inflames him, and after her marriage and eventual death, fury at being denied the chance to marry her spurs him to take drastic, sometimes monstrous action. While Heathcliff is perhaps best known for his love for Catherine, it is his vengefulness that truly makes him memorable, in part because that vengefulness produces such intense and mixed responses in us. Paradoxically, Heathcliff’s thirst for revenge makes us simultaneously loathe and admire him.

When Heathcliff comes home determined to seek revenge for Catherine’s betrayal, his behavior can be interpreted as at best childish, and at worst cruel. Hindley may be half the man Heathcliff is, but nevertheless, the two were raised as brothers. Moreover, whatever Hindley’s childhood sins, he is now a broken man, a drunk and a gambler. In light of these facts, we cannot help but look askance on Heathcliff’s willingness to coldly and methodically wrest Wuthering Heights from him and to turn Hindley’s own son, Hareton, against him. Heathcliff treats Isabella equally unmercifully. She is a silly woman, but an innocent one. Heathcliff, who thinks of her as nothing more than a pawn in his revenge game, treats her unfairly. And his professed willingness to punish her for her brother’s crimes may strike us as slightly unhinged.

Heathcliff’s quest for revenge is never seemly, but it becomes downright grotesque as the years pass. After Catherine’s death, Heathcliff’s vengefulness is less easy to understand: After all, the woman he loves, the woman he wants to punish and impress, is no longer around (at least in bodily form). As Heathcliff’s motivations turn sour and confusing, his actions spiral downward, too. In an attempt to get Edgar’s estate, Heathcliff manipulates young Catherine and his own son, Linton, into an ill-advised romance and then forces the two to wed after kidnapping Catherine and holding her prisoner. Out of general ill will and a specific desire to punish Catherine’s relatives, he abuses Hareton, the character who most closely resembles him. By denying the intelligent boy an education and keeping him in a state of servitude, Heathcliff re-creates the very ill treatment that was visited on him when he was young. It is a crime just as morally repugnant as is his manipulation of his own son.

Yet however bad Heathcliff’s behavior, his desire for revenge makes him just as endearing as it does objectionable. First, while Heathcliff is a brute, he is an intelligent, capable brute. Those he controls are frailer and stupider than he, and part of us understands his desire to manipulate them as the natural dominance the strong feel over the weak. Second, his vengefulness arises from his deep love for Catherine. He is cruel not for cruelty’s sake, but because the woman he loves has broken his heart. This is a familiar motivation in literature, and a difficult one to dismiss or condemn.

After Catherine’s death, even the shocking manifestations of Heathcliff’s vengefulness can be interpreted as touching. Were his need for revenge to die with Catherine, it would suggest that his love for her was a temporary passion. Because his need for revenge only increases after her death, we are likely to conclude that his love for her is timeless, undying, and classically romantic. In one interpretation, the more outrageous and monstrous his actions are, the more clear, concrete, and passionate his love seems.

By the time Heathcliff dies, his hunger for revenge has also passed away. But that vengefulness is what keeps him alive in our minds, and makes him the most vivid of Brontë’s fictional creations.

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Human Nature in Emily Bronte’s “Wuthering Heights”

“Human Nature in Emily Bronte’s “Wuthering Heights””

All humans experience change as they grow up and the environment in which they grow up in directly affects the nature of that person. To fully understand the human nature of a specific person, you must first look at the origins/past of that person. Love is perhaps one of the greatest connections a person could ever feel, the feeling that someone deeply cares for you and understands you and would die for you. What is it about love itself or being loved that easily seduces people? Why is it, sometimes unknowingly, so strived for? Adam Smith, a Scottish moral philosopher and pioneer of political economics, is best known for his classic works: The Theory of Moral Sentiment (unrecognized) and An Inquiry into the Nature and Causes of the Wealth of Nations. Smith discusses self- interest and irrationality and tells what a good life really is and how to achieve this goal. Smith said, Man naturally desires, not only to be loved, but to be lovely; or to be that thing which is the natural and proper object of love. He desires, not only praise, but praiseworthiness; or to be that thing which, though it should be praised by nobody, is, however, the natural and proper object of praise. The most obvious reason for this heartfelt feeling is that humans are basically hardwired for that type of social connection. Everything that we do, say, and create are all rooted in our biology. There are a number of ways that this desire is fulfilled, for good or not. Russ Roberts, author of How Adam Smith Can Change Your Life: An Unexpected Guide to Human Nature and Happiness, dove deep into Smith’s underappreciated book, uncovering forgotten wisdom of human nature and the many ventures we embark on in life. Roberts said, The first part of Smith’s summary of human desire that people want to be loved seems pretty straightforward, although Smith doesn’t mean loved the way we mean it today, as connected to romance and family . He means it in a fuller sense. He means that we want people to like us, respect us, and care about us. So how are we supposed to accomplish overcoming foolishness/recklessness and embark on the path of happiness? Having a false sense of pride or meaning is incredibly difficult because the desire to be loved or seen as lovely is intensely sewn into our minds. It happens emotionally and quickly not slow and steady.

The term psychological trauma means harm brought from a traumatic event, hindering one’s ability to deal with triggers. Bessel A. van der Kolk, clinician, researcher in the posttraumatic stress field, and author of the 2014 New York Times Science best seller novel, The Body Keeps the Score: Brain, Mind, and Body in the Treatment of Trauma, helps us understand traumatic stress. Kolk gives a deeper understanding of traumatic stress by detailing how it literally alters the wiring of the brain; specifically in the areas of control, engagement, pleasure, and trust. In van der Kolk’s 1987 research he noted that human responses to trauma are generally constant through different stimuli, where some individuals may experience emotional and social withdrawal, these changes in the body, prevent normal lives and require professional help. Traumatizing events can also produce changes in physiological arousal, cognition, and emotion. However, everyone recovers from traumatic events in different ways, meaning trauma will have a different effect on individuals and their relationships and confidence. In an article published at Hartgrove Hospital, Kathryn Millan states, Traumatic incidents that occur during childhood can become part of a person’s adult attachment style. A person’s attachment style reflects how warm or close that person likes to be in relationships. When children continuously deal with traumatic experiences, the nature of those experiences can change the way that they handle or pursue relationships as adults as well as whether or not they will be open or distant.

In Emily Bronte’s novel, Mr. Earnshaw brought Heathcliff, an orphan, to live at Wuthering Heights. Heathcliff forms an unbreakable love/obsession with Earnshaw’s daughter, Catherine. In the event of Mr. Earnshaw’s death, his son Hindley abuses Heathcliff and only treats him as a mere servant. Catherine then marries Edgar Linton instead of Heathcliff, because of her desire for social status, even though she love Heathcliff. Humiliated, this causes him to spend almost all of the rest of his life seeking revenge. Wuthering Heights gives readers a clear look into what it was like to live as an orphan in a victorian society. Sympathy from the readers is generally shown toward Heathcliff because he is seen only as a victim of Hindley’s abuse when he was a child. Hindley’s treatment of Heathcliff affected his social and emotion relationship with Catherine, elucidated Bronte’s theme of victimization by turning the victimized into the victimizer. This is shown by the reaction of Heathcliff when Catherine married someone else. Although Catherine’s marriage was the tipping point of Heathcliff, throughout the novel it is shown that the way he acts and reacted has alway been in the background/his nature. Heathcliff growls, he doesn’t speak, and he grins or sneers but he doesn’t smile. Also, Bronte’s use of words such as diabolical further the readers view on the character. Heathcliff never spoke up about Hindley’s abuse, advancing his inability to hold stable relationships or react in a positive way, all of Heathcliff emotions are both heightened and inverted because of all the trauma that was caused by Hindley, not allowing for any genuine feeling.

Human nature if affected by the environment in which a person grows up. Heathcliff was an orphan who was taken in by people he didn’t know and at the start of his arrival were not fond of him. When Mr. Earnshaw died his situation went from bad to worse as Hindley began abusing him and treating him as a servant, ultimately doing mental, emotional and physical damage to Heathcliff. Multiple studies have shown that childhood environment and childhood trauma can alter the brain’s wiring affecting future relationships and human interactions. The environment affects human nature which intensifies human emotion, which is could ultimately become nonexistent when paired with years worth of trauma. This could eventually lead a person down a path of self-destruction, especially in relationships, as shown by Heathcliff’s plot for revenge.

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Nature Imagery in Wuthering Heights - Essay Example

Nature Imagery in Wuthering Heights

Extract of sample "Nature Imagery in Wuthering Heights"

Characters played by Cathy and Heathcliff and key locations of Thrushcross Grange and Wuthering Heights depict frequent use of symbolism in the structure of themes and imagery in the novel. The whole novel fundamentally revolves around the thesis: How the use of nature imagery depicts the mutual existence of “good and evil” in relation to the key characters in the novel who become self aware of their feelings and bond.  Nature imagery depicts the contrast of Thrushcross Grange and Wuthering Heights: The central locations of Thrushcross Grange and Wuthering Heights signify the apparent contrast between them as the main action sites with the use of nature imagery.

The integral part of Wuthering Heights is apparent in the novel. Characters involved in the plot of novel are Lockwood, Nelly, Mr. Earnshaw, Hindley, Catherine, and Heathcliffe. The story begins with Lockwood renting a manor house called Thrushcross Grange. The manor house is owned by his landlord, Heathcliff. Nelly Dean, who happens to be Heathcliffe’s housekeeper, narrates the story of Heathcliff and the strange citizens of Wuthering Heights. . Also, Catherine chooses to marry Edgar because of the peace, calm and protection offered by the Thrushcross Grange Valley.

The similarity between Grange and heaven shows up when Catherine describes her experience with heaven in these words, “. heaven did not seem to be my home, and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung me out into the middle of the heath where I woke sobbing for joy” (Bronte 64). On the other hand, Wuthering Heights is described as a hell because of many similarities between the two. It is described as a dark place with dark complexioned and dark haired inhabitants.

Lockwood explains in the very beginning of the novel that Wuthering is “a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather"(Bronte 4). Furthermore, Lockwood describes Heathcliff as “a dark-skinned gypsy in aspect, in dress and manners a gentleman, that is, as much a gentleman as many a country squire” (Bronte 6).  Nature imagery depicts the depth of relationships: At their young age, Catherine and Heathcliff like each other and their relationship grows stronger with the passage of time.

The role of nature imagery in the lives of the main characters highlights the destructive power of love. Particularly, the character of Heathcliff represents the destructive power of love through the growing relationship of Catherine and Edgar. Catherine comes from Wuthering Height while Edgar belongs to Thrushcross Grange. Heathcliff develops a strong sense of hatred towards Edgar Linton upon hearing the news of Catherine’s approval of Edgar’s proposal of marriage. Catherine made Heathcliff leave

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The Romantic-Gothic Nature of Wuthering Heights essay

Section 25 Throughout the class period, we have talked about several different genres that have caught my eye in terms of relatability and interests. One of those genres is the Gothic period. There are many books that are considered part of this era such as, Dracula, Frankenstein, and Jane Eyre, but the one that tops them all is Wuthering Heights by Emily Bronte. Wuthering Heights brings to the surface many different parallels for the more romantic aspects of the book through things such as, spiritualism, supernaturalism even though it was written within the Victorian Period. As for the Gothic nature of the book, you can get a feel for it in the descriptions of the terrain, the turbulent love story between Heathcliff and Catherine, and how Heathcliff can be seen as both a traditional gothic hero-villain and a Byronic hero.

Throughout the novel, the aspect of spiritualism is shown not by agreeing with a specific religion, Christianity, but by agreeing that there are places such as heaven and hell. Many scholars over the past years have agreed that the book is not for religion in a sense but in fact against it. Throughout the reading of the book, it is noted that Joseph and Nelly Dean are devout Christians practicing their faith whereas, Heathcliff and Catherine have a more open understanding of the spiritual or nonphysical realm. More of a transcendental-like thinking. There are many examples throughout the book that show a great deal of spiritualisms. Emily’s constant reference to heaven, hell and the spirit of Catherine are the main focus of this. For example, Heathcliff is constantly in torment over the fact that Catherine is dead. “Is it not sufficient for your infernal selfishness that while you are at peace I shall writhe in the torments of hell (Bronte pg. 187)?” Just this line alone shows that Heathcliff is in constant torment by Catherine’s spirit.

With Catherine’s spirit tormenting Heathcliff constantly, we can also tie all of this into the supernaturalism of the book. Throughout the reading, supernaturalism comes in many forms. It is shown when Emily Bronte chooses to use the imagination of the character’s perceptions in order to explain what is going on around them. In a way, this helps in “exciting our sympathy by faithful adherence to the truth of nature and giving the interest of novelty by the modifying colors of the imagination (Williams pg. 6).” An example of this is shown when we see Lockwood grow from a very boring unimaginative man to a imaginative one. We see this growth in the beginning when he describes the landscape of the moors. “I have just returned from a visit to my landlord—the solitary neighbor that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist’s heaven (Bronte pg. 2)” and at the end “I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth (Bronte pg. 339).” With this growth, comes a certain maturing of the senses in such a way that supernaturalism shows.

Another example of the supernatural we see throughout the book is in Lockwood’s dreams. The way Bronte brings the spirits into Lockwood’s dreams are very different from normal Victorian writers. Throughout the novel, there seems to be a sense of nature that can be construed as a supernatural being. Within one of Lockwood’s dreams he sees himself in a chapel he dreamed about being surrounded by the congregation each of whom had staves at ready, “the whole assembly, exalting their pilgrim’s staves, rushed round me in a body; and I, having no weapon to raise in self-defense, commenced grappling with Joseph, my nearest and most ferocious assailant, for his (Bronte p. 27).” In the next moment of the dream he tells us, “blows, aimed at me, fell on other sconces. Presently the whole chapel resounded with rapping’s and counter rapping’s: every man’s hand was against his neighbor Brontë (p. 27).” This rapping sound he hears in his dream was created by a fir tree that was rapping on the pane of his window during a storm. “Merely the branch of a fir-tree that touched my lattice as the blast wailed by, and rattled its dry cones against the panes (Brontë p. 27)!” This shows that Emily Bronte wanted us to get a sense of “the natural and the supernatural to create a sense of mystery (Bhattacharyya pg. 5).”

Wuthering Heights has many different Gothic qualities that we can list. In the name alone, we get a sense of just how gothic this novel really is. Wuthering Heights as described by Lockwood as, “being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun (Brontë p. 3). This description gives us a sense of dread, danger, and almost an eerie feeling from the way the moors look and feel. The supernatural qualities of the moors seem to represent the relationship of Heathcliff and Catherine throughout the book. In the beginning their relationship had started with them both playing in the moors and by the end they were both buried next to each other. The moors are a symbol of mystery, menace, danger; these qualities constantly arise throughout the relationship of Heathcliff and Catherine. We can also note that the moors are a represented differently to individual characters. For example, Lockwood described them as, “whole hill-back was one billowy, white ocean; the swells and falls not indicating corresponding rises and depressions in the ground (Brontë p. 34).” In his mind you are able to get lost easily through them because all the “swells and falls” look the same. Heathcliff and Catherine on the other hand, thought of the moors as a link to freedom. “I wish I were out of doors! I wish I were a girl again, half savage and hardy, and free… (Brontë pp. 148-149)”

Heathcliff is considered to be many different types of hero. As a Byronic hero, he fits the classic nature of tall, dark, and handsome with a twist of mystery. As Lockwood described, “He had grown a tall, athletic, well-formed man (Brontë p. 112).” As a Gothic hero he is the main character of Gothic novel, always shrouded by a cloud of supernaturalism and death. Many times, throughout the novel he is accused of acting like the devil. “Mr. Heathcliff you have nobody to love you… You are miserable, are you not? Lonely, like the devil, and envious like him? (Brontë. p. 339). Through both of these types of hero’s, Emily Bronte gives us the idea that Heathcliff can evolve between both a romantic and gothic hero. The Byronic hero which gives us the idea that there is a passionate, romantic quality about him; whereas, the Gothic hero which gives us the dangerous side of him, a fight between good versus evil.

Throughout the reading of Wuthering Heights, we were able to classify it as Gothic reading. We also were able to find many parallels that Bronte used to give us the illusion that it can be classified as a Romanticism era novel. Today we went over some of this particular parallels that make this novel be considered a mixture of Romantic-Victorian- Gothic era reading.

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"The Romantic-Gothic Nature of Wuthering Heights," , 10-May-2021. [Online]. Available: [Accessed: 4-Mar-2023] (2021). The Romantic-Gothic Nature of Wuthering Heights . [Online]. Available at: [Accessed: 4-Mar-2023]

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Gothic Elements In Wuthering Heights By Emily Brontë

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